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Friday
Jan272012

First Look At New Sadako 3D (Ring) Villian Yamamoto Yusuke

Nice little twist to the upcoming Sadako 3D. Yamamoto Yusuke’s character will be playing a major role as the villian in the film. Reason behind his green eyes are unknown, but his goal is to resurrect Sadako. What we do know is that he was a popular web artist before his mysterious dissappearance, and he might be the one resposible for distributing the infamous video tape that has caused a series of suicides. Becuase of this, he is currently being hunted by the police, but his whereabouts are unknown.

The reason behind Yamamoto Yusuke’s evil deeds are unclear at the moment, but I am sure they will come to light very soon.

Nice to see Koji Suzuki trying to freashing up the series with some new ideas. Hope all translates to the screen well.


Sadako 3D (Ring) - Ishihara Satomi, Seto Kouji
 

Friday
Jan272012

1,778 Stories of Me and My Wife (2011) Film Review

1,778 Stories of Me and My Wife (2011)

 

 

Director: Mamoru Hoshi
Starring: Tsuyoshi Kusanagi and Yuko Takeuchi

For those watch a lot of Japanese cinema, you know that there is no shortage of the romantic drama. It seems every year there is a gamut of ‘pure love’ stories that feature beautiful people and are meant to tug at the heartstrings. I suppose this is also true of many films in the United States but Japanese films, in my opinion, have the genre down to a science and many times they are formulaic to a fault. This isn’t bad necessarily and many of these films are considerably well acted with real talent behind the production. 1,778 Stories of Me and My Wife is based on a true story and is a film that released early in 2011. This film features two of Japan’s biggest stars teamed with a relatively unknown director, a cautionary signal if any. So is this film just more of the same, or does it bring something new to the table?

 

 

 


As stated above, 1,778 Stories of Me and My Wife is based on the true story of science fiction writer Taku Mayumura and his life episode dealing with the illness of his wife. Standing in for Mayumura is Sakutaro Makimura (Kusanagi) and his wife Setsuko (Takeuchi). Sakutaro is a moderately successful SF writer, that’s Japanese shorthand for Science Fiction for the uninitiated. He is a bit of a daydreamer but loves his work and the subject; his home is littered with toy robots, serial SF magazines, and movie memorabilia. Then there is his wife Setsuko, his high school sweetheart, longtime confidant, and first fan. She loves him dearly and puts up with all of his eccentricities as a creative mind with a smile and supportive word, even if he’s late to a meal because of a burst of inspiration. They lead a seemingly idyllic married life until Setsuko falls ill with an aggressive form of cancer. With the doctor giving an estimate of less than a year, Sakutaro is at a loss at what to do. Upon leaving the hospital, the doctor says that, “Laughter builds immunities” and with that Sakutaro begins to have idea. As a writer and with his wife wife being a fan, he decides that while she is ill, he will write her a story every day in order to make her laugh and keep her spirits up. What happens after chronicles their journey dealing with her illness and at the same time reproducing some of the more memorable stories in what would become a 5 year literary project.

 

 

 


For those that have dealt with or have had a family member with a serious illness, this film treats many of the trials of such an ordeal with great respect and a delicate gentle truth. Heavy issues such as; the inability to bear children, the high cost of medical treatment, weakening due to said treatment and illness, and the prospect of the finality of the disease are broken up with the smile inducing adaptations of his short stories to his wife, finding happiness in everyday things, and the comfort of being with loved ones. The aspect of the stories written by Sakutaro serves as a way early on to lighten the mood and bring out laughter in his wife. These segments are very entertaining and contain quality visual effects and interesting cameos. This continues on through most of the film until Setsuko’s health takes a turn for the worse in the final act. Upon reaching this point, you as the viewer recall that she is dying and each subsequently numbered story means a step closer to the end. This is an ingenious technique that provides brightness while serving as a countdown towards inevitability. By the time he writes his final story for her, your eyes should be misty if not outright tearing up.

 

 

 


As Sakutaro and Setsuko, Kusanagi and Takeuchi exhibit great chemistry and you do not doubt for a moment that they hold each other as the most important thing in each of their lives. Kusanagi plays Sakutaro with a bit of awkwardness at the begining, but as the film progresses, he displays a great range of emotions as the husband coping with seeing his love slowly die in front of him. Takeuchi is beautiful and full of grace as Setsuko, the wife who always tries to put up a brave front while fearing death and feeling her life ebb away. They are backed up by a good supporting cast with Ren Osugi as her physician and Shosuke Tanihara as Sakutaro’s old friend and fellow writer. The cast expands with good physical performances by the population of the hospital when Setsuko is admitted. Watching the film, you truly care for these characters and by film’s end you share similar emotions with those on screen. A great job to the actors indeed.

 

 

 


Many Japanese dramas tend to drag on towards the end, but the pacing of this film was no different. There is a point where the film definitely could have avoided in order to make the pacing tidier, but the use of this particular plot point seems cheap. I am reticent to say what is that particular scene, but viewers of the film will definitely know to what I am referring. The photography is appropriately beautiful and and dark with intelligent use of lighting and camera sweeps. The music is somwhat forgettable unfortunately though I do believe it serves better as accompaniment to the film’s visuals than standing on its own.

 

 

 


In summation, 1,778 Stories of Me and My Wife is a touching and sentimental film about love, death, and everything between. It carries a strong message about the fleetfulness of life and that one should take the time to spend it with those that make you happy doing the things that make you happy. While still held by certain genre and cultural film conventions, it is able to provide a personal and audience involved tale. Highly recommended.

4.2/5.0

You may enjoy this film if you enjoyed: Love Letter, Crying Out Love…, Departures

Thursday
Jan262012

OFFICIAL SITE NOW UP FOR PANG HO CHEUNG'S LOVE IN THE BUFF

When two ex-lovers from Hong Kong cross paths in Beijing, they realize they still have feelings for each other and start orchestrating trysts and assignations behind their partners’ back  

Love In The Buff - Eng Subbed Trailer

LOVE IN THE BUFF STARS SHAWN YUE AND MIRIAM YEUNG.  A ROUGH MARCH 2012 RELEASE IS SET.

OFFICIAL SITE

Love In The Buff - Miriam Yeung, Shawn Yue

Thursday
Jan262012

JANUARY 26 FORUM UPDATES PT 2

Thursday
Jan262012

JANUARY 26 FORUM UPDATES 

Tuesday
Jan242012

JANUARY 24 FORUM UPDATES 

Sunday
Jan222012

I Saw the Devil (2010) Film Review

I Saw the Devil (2010)

 

 

Director: Kim Ji-woon
Starring Lee Byung-hun and Choi Min-sik


Leading up to my viewing of I Saw the Devil, I had heard many things about what type of film to expect. I heard that it was a torture/revenge picture and pretty much the next big star powered film in Korean cinema. Director Kim Ji-woon is, in my opinion, one of South Korea’s best directors and one whose films I always anxiously await. To say my expectations were high is no understatement. With the massive hype and controversy surrounding the film and its stars, this film had much to live up to considering the pedigree of revenge films in South Korea as well as the return of Choi Min-sik to the screen.

 

 


The film starts with the brutal torture/murder of Joo-yun (Oh San-ha) at the hands of sadistic serial killer Kyung-chul (Choi Min-sik). After completing his grisly task, Kyung-chul disposes of the body and prepares for his next opportunistic murder. When the fiancee, Soo-hyun (Lee Byung-hun), learns of her death and experiences the ineptitude of the authorities in catching her killer, he hardens his heart and sets out to hunt and kill his beloved’s murderer. Upon finding his prey, in the middle of committing his next crime no less, Soo-hyun finds that he cannot simply ‘end him’ like he had planned but in an effort to prolong his suffering, implants him with a tracking device and deals him a painful injury before letting him go just to catch and hurt him again, like a sport fisherman releasing his catch. What follows is a dark and blood-soaked journey into the culture of serial killers in South Korea and the discovery of the darkness inside people which can emerge when the need for revenge consumes.

 

 


The two principal actors, Choi min-sik and Lee Byung-hun, are amazing in the film as opponents struggling against each other with motives that are on the surface drastically different, but equally sinister in spirit. The structure of the film is done so that the two men pretty much only have scenes together when they have physical confrontations and moments of taunting via electronic communication. As each actor typically is alone in each of their scenes, the differences between men is made readily apparent. Lee Byung-hun’s Soo-hyun is dark, brooding, and a calculating machine with tunnel vision when it comes to accomplishing his goal. Choi Min-sik’s Kyung-chul, on the other hand, is opportunistic, sadistic, and a man whose psychotic urges are openly embraced rather than potentially supressed like many cinematic villains. He is a man of an inhumane nature and very much is the embodiment of pure evil. The contrasting nature of these two men make the conflict on screen a tour de force of pain, brutality, and strife.

 

 


The technical aspects of the crew are on fine display in the film as well. The film is tightly edited and scored in such a way that scenes will leave the viewer wholly uncomfortable but unable to turn away. There are a number of set pieces which are each exciting and neccessary to advancing the story. Clocking in 141 minutes, I Saw the Devil is not a short film by any stretch, but subsequent viewings really reveal the meticulous planning and tightly filmed picture which is the final product. Also, of particular note is the makeup effects and prosthetics, as the film has not shortage of bloodletting, each instance of their use was realistic and cringeworthy in the right way.

 

 

In the end, I Saw the Devil stands as visceral and impacting experience and exists as an example of why I watch Asian cinema. It is challenging and upon the film’s final frame, you will be contemplating the film for days afterward. In truth, I had seen the film quite a while ago, months actually between viewing and final word typed, but writing this review was a process that I did in parts so that I could articulate the film in text the way I think it deserves to be portrayed. It is not an easy film to watch but for those that decide to take it on, they will find an engaging and beautifully structured experience that is not easily forgotten.

4.8/5.0

You may enjoy this film if you also enjoyed: Oldboy, A Bittersweet Life, The Man From Nowhere

Friday
Jan202012

New Poster For Chang Yoon-Hyun's Upcoming Coffee

First look at the first poster for Chang Yoon-Hyun’s upcoming March release of Kim Tak Hwan’s novel Russian Coffee which stars Joo Jin-Mo, Yoo-Sun, Lee Da-Hae, Park Hee-Soon, and Kim So-yeon. Below is a detail breakdown of the Historican novel.

Russian Coffee - Kim Tak-Hwan
Historical Intrigue with aSide of Coffee

 

Kim Takhwan’s Russian Coffee is an exhilarating historical tale of the plot to assassinate King Gojong, the 26th king of the Joseon dynasty, set at the end of the 19th century when coffee was first introduced to Korea. Author of The Banggakbon Murder Case and Lishim, Kim Takhwan is known for his popular novels based on actual historical figures and events. After becoming acquainted with the story of the official interpreter who tried to assassinate King Gojong by slipping opium into his coffee in a late Joseon dynasty history book, Russian Coffee was born. But instead of reproducing the assassination conspiracy as it actually happened, Kim puts his imagination to work to create the livelier tale of Danya, the bold and charming heroine of the novel. Russian Coffee opens with Danya, the daughter of King Gojong’s official interpreter, heading for Russia alone at the age of 19 after her father’s untimely death, where she joins a gang of grifters.

Click to read more ...

Wednesday
Jan182012

NEW YEAR, BRAND NEW MESSAGEBOARD

Yes, Filmsmash has now moved onto a new messageboard.  Since our original forum was limited on what we wanted to offer, we decided it was time to try another service. 

With the new messageboard up the original one will become our archives with films covered from 2009 until the begininng of this year.  It will no longer be active for posting, but for viewing, reference purposes only.

 

 Enough Talk….CLICK NEW FORUM TO ENTER.

Thursday
Jan122012

JANUARY 12 FORUM UPDATES

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